Enharmonica |

enharmonic, enharmonic iwin, enharmon, enharmonic, enharmonic iwin

Enarmonion Giriki (genos), enarmonion, lati enarmonios – en (g) ti irẹpọ, tan. - kọnsonanti, kọnsonanti, isokan

Orukọ ọkan ninu ẹda (awọn iru awọn ẹya aarin) ti orin Giriki atijọ, ti a ṣe afihan nipasẹ lilo bata ti awọn aaye arin kekere kan, lapapọ ni dogba si semitone kan. Iwoye akọkọ (Aristoxenian) ti E.:

(Architas, Eratosthenes, Didymus, Ptolemy ni awọn iye miiran.)

Fun orin aladun enharmonic. iwin jẹ characteristically melismatic. orin ohun orin itọkasi pẹlu awọn microtones ti o wa nitosi rẹ (bii arọ atijọ, wo Chromatism), ikosile ti a ti tunṣe, ti pampered jẹ aṣoju. iwa ("ethos"). Aarin E. pato jẹ ohun orin mẹẹdogun (Diesis Giriki – enharmonic diysa). Enarmonich. pyknon (pyknon, lit. - gbọran, nigbagbogbo) - apakan kan ti tetrachord nibiti a ti gbe awọn aaye arin meji, iye ti o kere ju iye kẹta lọ. ti fipamọ; ayẹwo E. wo Art. Melody (Stasimus 1st lati Euripides' Orestes, 3rd-2nd sehin BC). Ni akoko ti Aringbungbun ogoro ati awọn tete Renesansi, E. ni orin. a ko lo adaṣe (sibẹsibẹ, ọran ti mẹnuba E. ni koodu Montpellier, ọdun 11th ni a mọ; wo Gmelch J., 1911), ṣugbọn gẹgẹ bi aṣa, o farahan ni ọpọlọpọ imọ-ẹrọ orin. awọn itọju. Ni N. Vicentino (orundun 16th), awọn apẹẹrẹ ti monophony wa pẹlu E. (wo apẹẹrẹ ni iwe 218) ati awọn ohun 4 (ti a gbe ni akọsilẹ ti 20th orundun; tumo si ilosoke ti 1/4 ohun orin):

N. Vicentino. Madrigal «Ma donna il roso dolce» lati awọn iwe «L'antica musica» (Roma, 1555).

M. Mersenne (orundun 17je), ni apapọ awọn ohun orin ti gbogbo awọn ẹya atijọ mẹtẹẹta, gba iwọn ohun orin mẹẹdogun pipe 24 (wo eto ohun orin Quarter):

M. Mersenne. Lati iwe. "Harmonie universelle" (Paris, 1976, (vol. 2), iwe 3, p. 171).

To jo: Vicentino N., L'antica musica ridotta alla moderna prattica, Roma, 1555, facsimile. ti a tun tẹ, Kassel, 1959; Mersenne M., Harmonie universelle…, v. 1-2, P., 1636-1637, facsimile. atuntẹ, v. 1-3, P., 1976; Paul O., Boetius und die griechische Harmonik…, Lpz., 1872, fasimile. atuntẹ, Hildesheim, 1973; Gmelch J., Die Vierteltonstufen im MeÀtonale von Montpellier, Freiburg (Schweiz), 1911.

Yu. H. Kholopov