Georges Auric |
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Georges Auric
Ọmọ ẹgbẹ ti Institute of France (1962). O kọ ẹkọ ni Montpellier Conservatory (piano), lẹhinna ni Paris Conservatory (kilasi ti counterpoint ati fugue pẹlu J. Cossade), ni akoko kanna ni 1914-16 - ni Schola Cantorum pẹlu V. d'Andy (kilasi kikọ) . Tẹlẹ ni ọdun 10 o bẹrẹ lati kọ, ni ọjọ-ori ọdun 15 o ṣe akọbi rẹ bi olupilẹṣẹ (ni ọdun 1914, awọn ifẹfẹfẹ rẹ ṣe ni awọn ere orin ti National Musical Society).
Ni awọn ọdun 1920 jẹ ti awọn mẹfa. Gẹgẹbi awọn ọmọ ẹgbẹ miiran ti ẹgbẹ yii, Orik ṣe ni gbangba si awọn aṣa tuntun ti ọrundun naa. Fun apẹẹrẹ, awọn ipa jazz ni a rilara ninu foxtrot rẹ “Farewell, New York” (“Adieu, New York”, 1920). Olupilẹṣẹ ọdọ (J. Cocteau ṣe iyasọtọ iwe pelebe Rooster ati Harlequin, 1918 fun u) jẹ ifẹ ti itage ati gbọngan orin. Ni awọn 20s. o kọ orin fun ọpọlọpọ awọn iṣẹ iṣere: Molière's Boring (nigbamii tun ṣe atunṣe sinu ballet), Beaumarchais's Marriage of Figaro, Ashar's Malbrook, Zimmer's Birds ati Meunier lẹhin Aristophanes; “Obinrin Idakẹjẹ” nipasẹ Ashar ati Ben-Johnson ati awọn miiran.
Ni awọn ọdun wọnyi, o bẹrẹ si ni ifọwọsowọpọ pẹlu SP Diaghilev ati ẹgbẹ rẹ "Russian Ballet", eyiti o ṣe agbekalẹ ballet Orik "Troublesome" (1924), bakannaa ti a kọ ni pataki fun awọn ballets rẹ “Sailors” (1925), “Pastoral” (1926). ), “Iro” (1934). Pẹlu dide ti sinima ohun, Orik, ti o ti gbe lọ nipasẹ aworan ibi-pupọ yii, kọ orin fun awọn fiimu, pẹlu Ẹjẹ ti Akewi (1930), Ominira fun Wa (1932), Caesar ati Cleopatra (1946), Ẹwa ati Ẹranko “( 1946), Orpheus "(1950).
O jẹ ọmọ ẹgbẹ ti igbimọ ti People's Musical Federation (lati 1935), ṣe alabapin ninu ẹgbẹ alatako-fascist. O ṣẹda awọn orin pupọ pupọ, pẹlu "Kọrin, awọn ọmọbirin" (awọn orin nipasẹ L. Moussinac), eyiti o jẹ iru orin iyin fun awọn ọdọ Faranse ni awọn ọdun ṣaaju Ogun Agbaye II. Lati opin ti awọn 2s. Orik kọ jo kekere. Niwon 50, Aare ti Awujọ fun Idaabobo Awọn ẹtọ-aṣẹ ti Awọn olupilẹṣẹ ati Awọn atẹjade Orin, ni 1954-1957 Aare Lamoureux Concerts, ni 60-1962 Oludari Gbogbogbo ti National Opera Houses (Grand Opera ati Opera Comic).
Oṣere eniyan, Auric jẹ ọkan ninu awọn olupilẹṣẹ Faranse ti ode oni. O jẹ iyatọ nipasẹ ẹbun aladun ọlọrọ kan, alarinrin fun awọn awada didasilẹ ati irony. Orin Orik jẹ ijuwe nipasẹ mimọ ti apẹrẹ aladun, irọrun ti tẹnumọ ti ede ibaramu. Awọn iṣẹ rẹ gẹgẹbi Awọn orin mẹrin ti ijiya France (si awọn orin nipasẹ L. Aragon, J. Superville, P. Eluard, 1947), iyipo ti awọn ewi 6 si atẹle, ti wa ni imbued pẹlu awọn pathos eda eniyan. Eluara (1948). Lara awọn akojọpọ ohun elo iyẹwu, piano sonata F-dur ti o yanilenu (1931) duro jade. Ọkan ninu awọn iṣẹ ti o ṣe pataki julọ ni ballet Phaedra (ti o da lori iwe afọwọkọ nipasẹ Cocteau, 1950), eyiti awọn alariwisi Faranse pe ni “ajalu choreographic.”
Awọn akojọpọ:
ballets - alaidun (Les facheux, 1924, Monte Carlo); Atukọ (Les matelots, 1925, Paris), Pastoral (1926, ibid.), Charms of Alcina (Les enchantements d'Alcine 1929, ibid.), Rivalry (La concurrence, 1932, Monte Carlo), Iro (Les imaginaires, 1934). , Ibid.), Oṣere ati Awoṣe Rẹ (Le peintre et son modele, 1949, Paris), Phaedra (1950, Florence), Ọna Imọlẹ (Le chemin de lumiere, 1952), Yara naa (La chambre, 1955, Paris), Awọn ọlọsà rogodo (Le bal des voleurs, 1960, Nervi); fun Orc. - overture (1938), suite lati ballet Phaedra (1950), simfoni. suite (1960) ati awọn miiran; suite fun gita ati orchestra; iyẹwu-instr. awọn akojọpọ; fun fp. - preludes, sonata F-dur (1931), impromptu, 3 pastorals, Partita (fun 2 fp., 1955); romances, songs, music fun dramas. itage ati sinima. Tan. cit.: Autobiography, ni: Bruor J., L'écran des musiciens, P., [1930]; Akiyesi sur la vie et les travaux de J. Ibert, P., 1963
Awọn iṣẹ iwe-kikọ: Autobiography, ni: Bruyr J., L'écran des musiciens, P., (1930); Akiyesi sur la vie et les travaux de J. Ibert, P., 1963
To jo: Orin Faranse Tuntun. "Mefa". Sat. Aworan. I. Glebov, S. Ginzburg ati D. Milo, L., 1926; Schneerson G., Orin Faranse ti XX orundun, M., 1964, 1970; rẹ, Meji ninu awọn "mefa", "MF", 1974, No 4; Kosacheva R., Georges Auric ati awọn ballet akọkọ rẹ, "SM", 1970, No 9; Landormy R., La musique française apris Débussy, (P., 1943); Rostand C, La musique française contemporaine, P., 1952, 1957; Jour-dan-Morhange J., Mes amis musiciens, P., (1955) (Itumọ ede Russian - E. Jourdan-Morhange, Awọn ọrẹ akọrin mi, M., 1966); Golia A., G. Auric, P., (1); Dumesni1958 R., Histoire de la musique des origines a nos Jours, v. 1 – La première moitié du XXe sícle, P., 5 (Itumọ ede Russian ti ajẹkù lati iṣẹ naa – R. Dumesnil, Awọn olupilẹṣẹ Faranse ode oni ti Ẹgbẹ mẹfa ti Ẹgbẹ mẹfa. , L., 1960); Poulenc F., Moi et mes amis, P.-Gen., (1964) (Itumọ Russian - Poulenc R., Emi ati awọn ọrẹ mi, L., 1963).
IA Medvedeva
